6.15.08
June 15, 20086.14.08
June 14, 20086.13.08
June 13, 20086.12.08
June 12, 20086.11.08
June 11, 2008I’m still experimenting with the variable weight line and abstracted botanical shapes. I think I like the last one best—the result of subtracting almost all the elements. These look a little more Arts & Crafts than 50s. I’m trying to put my finger on what makes a shape evoke a particular period in time. Iconic decorative arts pieces?
6.10.08
June 10, 20086.09.08
June 9, 20086.08.08
June 8, 20086.07.08
June 7, 2008I’ve always liked concrete blocks, especially the ones from the 50s that were poured with the different patterns left hollow. I took a pic of a big wall of them in NYC:
And here is my interpretation of the concrete blocks. It’s interesting how changing the foreground/background colors and moving the shapes around can create such different looking patterns.
6.06.08
June 6, 20086.5.08
June 5, 20086.04.08
June 4, 20086.03.08
June 3, 2008When I was worried or frightened as a kid, my (new agey, ex-hippie) parents told me to visualize a white light or bubble around myself or whomever I was worried about. I spent quite a bit of time visualizing white protective bubbles….around myself, my sister, my parents, the cat, airplanes, my friends. It gave me a measure of security, a feeling of having some power to control my destiny.
I don’t get the same secure feeling now that I’m a skeptical adult, but the protective visualization can still be a comforting exercise. I googled “protective colors” and came up with this site, which has some info about how to create various kinds of protective forces around oneself. So here’s my distillation and abstraction of the information, in the form of a protective mandala, for Kelton and Sarah.












































